英語電影觀后感(收藏十四篇)。

經(jīng)過小編的整理以下為大家提供了關(guān)于“英語電影觀后感”的相關(guān)內(nèi)容，怎么判斷自己寫的作品名觀后感是否符合要求呢？觀賞完這些影視作品后，我們內(nèi)心總會有很多感想。?這部電影的主題令我深思，我想以觀后感的形式來反映自己的想法，觀后感可以讓我們品位影片中角色的感情和精神狀態(tài)，歡迎您再次來訪也請多多關(guān)注我們的網(wǎng)站！

英語電影觀后感 篇1

《鋼的琴》觀后感

看完《鋼的琴》，心里有很多說不出的細(xì)細(xì)情感，原本以為只是一部簡單的喜劇電影，但是里面的所有細(xì)節(jié)，所有的細(xì)微的感情都讓這部電影深深地印在心里。在這部電影里，除了看到電影中父親表達(dá)出來的對女兒的愛，朋友表達(dá)出來的真摯的友情，里面的背景也是將我深深吸引。我相信這部電影講的是一代人的記憶，或許在我們這個年紀(jì)并不會有太大的體會，但是還是可以感受這部電影帶領(lǐng)我們或者是某一代人他們以為自己已經(jīng)很熟悉的世界，卻在里面發(fā)現(xiàn)了自己不曾發(fā)現(xiàn)或者一直忽視的世界，而這個世界往往就存在于我們的內(nèi)心世界里。

“鋼” 這個字，我認(rèn)為是貫穿整部電影的，它代表著鋼琴也代表著鋼鐵，是一段情，也是一段歷史。

首先，鋼琴，陳桂林為了得到對于女兒的撫養(yǎng)權(quán)，忍受種種壓力，到處去借為女兒買鋼琴的錢，最后在四處受挫無果的情況下，遭受了各種拒絕后，桂林偶然翻到一本關(guān)于鋼琴的俄國文獻，于是叫上伙伴們在早已破敗的廠房中開始了手工制造鋼琴的征途??

與其說那只是一部鋼琴，不如說那是一段“鋼的情”，在整部電影里，我看到了陳桂林對小元的父愛?；蛟S中國式的父母，和西方的父母不同，不會把對子女的愛掛在嘴上，哪怕愛得再深再切，只有在面對面的時候，那個時候眼神和行為就代表一切。因此桂林對于小元的愛，全都融在了那個紙板的無聲“鋼琴”里，在他那四處借錢、甚至偷鋼琴的“瘋狂”行為里，和最后那架凝聚所有人心血的“鋼的琴”

里，連我也深深被觸動了。大丈夫有淚不輕彈，對于東北漢子陳桂林更是將苦都埋在自己的心里。在發(fā)現(xiàn)孩子的媽媽生活條件比自己好得多，可以給小元買新衣服新書包的時候，他生氣地砸壞了紙板鍵盤，最后還是緊緊地?fù)ё∨畠?；從他眼神里可以看到無奈和愛并存。在發(fā)現(xiàn)沒辦法偷走學(xué)校的鋼琴的時候，他也只能在漫天的飛雪里孤獨地彈奏，那個時候的琴聲更像是無奈的一聲聲吶喊。當(dāng)那架鋼的琴搬到空曠的廠房里女兒面前的時候，理想與現(xiàn)實終于有了一次巧妙的對接，他已經(jīng)盡力了，為了女兒更好的生活，他最后選擇放棄，當(dāng)琴聲從鋼鐵的感情中傳出來的時候，那種深入骨髓的無奈再次蔓延。

其次，是那一幕幕熟悉的背景，我想那代表著跟隨中國鋼鐵一起走過的一段歷史。那也就是“兩個煙囪”的故事。那些努力工作勤勤懇懇的工人們，他們也有自己的夢想和堅持么，他們也曾希望自己成為工廠里“全國勞模”那樣特殊的稱號，然而時間推移，一些“國企改制”和“下崗分流”開始在新聞中頻頻出現(xiàn)。還有那些場景，經(jīng)濟效益不好，工人下崗，廠子賣掉，大批職工內(nèi)退，附屬的事業(yè)單位比如醫(yī)院、學(xué)校和幼兒園也收歸政府或承包給私人了。幸運的是廠子沒停，機器也還轉(zhuǎn)動著，當(dāng)鋼鐵被深深地埋在地下，也埋掉了一代人的勞動和記憶吧，不得不說，某一程度上來說，那是令人傷感的，這個城市似乎也開始變得陰郁和灰暗。

我想電影中那些小人物所表現(xiàn)出來的卑微，倔強和抗?fàn)?，是以一種多么簡單和真實的方式展現(xiàn)給我們，也捎帶著似乎以一種并不沉重的情感，然而越是這樣的簡單生活，讓我們更加真切的看到了那一代

人無奈和無助。我想兩桿大煙囪雖見證了鋼鐵廠的輝煌與沒落，眾多工人也在為它不被摧毀而出謀劃策，但它們最后還是遭到了社會變革的遺棄，電影里的場景，在炸大窯的那天全廠人都跑到喇叭山上圍觀定向爆破去了，窯倒掉濺起的塵埃還是把大家湮沒了，被嗆著咳嗽出眼淚，我想那一刻，很多工人心里也在落淚。

盡管最后還是倒下了，但它就像電影里的對白說的那樣，“它們永遠(yuǎn)是工人們的一段回憶，一個老朋友，只要看過去，它們就還在”。某一方面來說，造鋼琴和當(dāng)年的造鋼鐵一樣，雖然很努力，但是最后還是徒勞無功，然后作為一份子，工人兄弟們也感受到了勞動之幸福，收獲了勞動的過程是快樂和激情澎湃，收獲了友情，愛情。

鋼的情，不僅僅是關(guān)于工人階級對于逝去的輝煌的懷舊的情，更是一部鼓勵國人不忘過去，在種種困境中堅持活著的民族的情。

英語電影觀后感

電影勇士讀后感

觀看電影《出山》讀后感

《海上電影地圖》讀后感

英文電影觀后感 精選20篇

英語電影觀后感 篇2

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Parents and children, inspirational, so the words used in qualitative, on the drama is on the excess; effort, struggle, happiness, and this proceis actually on the drama in excess. Art

comes from life than life; a successful television series might not require a highly anticipated new theme and return to life, perhaps the most real life is the highest art. Bottom line of this struggle in poverty in the inspirational family film more approachable, but also much more likely to live many of our emotional resonance.

親子、勵志，這樣用于定性的字眼放在這部電影上其實是多余的;努力、奮斗、幸福，這樣的過程放在這部電影里其實也是多余的。藝術(shù)來源于生活也高于生活;一部成功的電影也許并不需要一個萬眾矚目的新奇題材，回歸于生活，最真實的生活也許也是最高的藝術(shù)了。這部掙扎在貧困底線里的勵志親情電影來得平易近人，也更容易引發(fā)我們對生活諸多情緒的共鳴。

英語電影觀后感 篇3

多姆,科布(萊昂納多,迪卡普里奧飾)是一個經(jīng)驗老道的竊賊。在人們精神最為脆弱的時候，他潛入別人夢中，竊取潛意識中有價值的信息和秘密。在他看來，人類思維所能產(chǎn)生的能量是不可限量的——人們靠思維就可以建造城市，可以穿越時空，回到過去重新制定社會的法則，人們甚至可以通過思維來進行犯罪。只可惜，面對如此寶貴的財富，大多數(shù)人不知道如何獲取。而科布卻恰巧擁有這樣奇特的技能。他利用人們做夢的時候，從他們的潛意識里盜取秘密。因為往往人們在做夢的時候，精神防線是最脆弱的?？撇及炎约哼@種絕技稱作“攝夢術(shù)”。不過，雖然科布的特殊技能，令他在這個貪婪的世界中成為了一個成功的商業(yè)間諜，但他為此也付出了沉重的代價。科布成為企業(yè)間諜中令人垂涎的對象，也讓他失去了所愛的人，并成為一名國際逃犯。如今，科布有了一個贖罪的機會，一個最后的行動將給回他原本的生活，只要他能完成一個不可能的任務(wù)——奠基(inception)。與以往不同的是，這次多姆?科布和他的團隊的任務(wù)不是竊取思想，而是植入思想，要讓一個大企業(yè)的繼承人自愿解散公司。如果他們成功，這就是一次完美犯罪。不過暗中的敵人對他們的行動了如指掌，而只有多姆?科布才能看到敵人的到來，因為犯罪現(xiàn)場存在于人的思想中，他找到了自己的伙伴，要制造出幾乎不可能制造出的3層夢境，在不斷躲避潛意識里的守護者的攻擊中，他們有一些人進入了潛意識最邊緣，看到了他潛意識里的妻子，和孩子……

片名“inception”一詞，在片中指的是通過夢境中的思想植入，改變他人原本根深蒂固的思想。以往在某些有超現(xiàn)實元素的懸疑作品里經(jīng)?？吹酱呙吒呤钟靡煌娫捝踔烈粋€眼神就把人催眠，然后指使他做任何事。實際上在現(xiàn)實中這是不可能辦到的。人的心理擁有很強的防御機制，心理學(xué)上的研究表明催眠師很難讓被催眠者做出違反他們自身意愿的舉動，更別說讓他們改變自己那些原先根深蒂固的想法了。所以《盜夢空間》在思想植入困難性上的設(shè)定，是有一定的合理性的。在人們所知的各種意識狀態(tài)中，夢境是防御機制降到最低的一種狀態(tài)，只有借由深層的夢境，才能真正完成思想改造。這是《盜夢空間》與以往這類題材的作品很大的區(qū)別，以往催眠師用一個眼神就搞定的事情，《盜夢空間》里的盜夢專家們用了一整部影片的篇幅去試圖完成。是諾蘭舍近求遠(yuǎn)嗎，其實是前人異想天開罷了。

關(guān)于盜夢空間電影觀后感范文5篇2

這是一部與眾不同的科幻片。其實在我看來它是一部情感片，它更多的是描述情感。

柯布與妻子的情感?？粗類鄣钠拮?，在自己眼前墜亡。那個打擊無以言說。那應(yīng)該是一種窒息的心痛，伴著深深的自責(zé)。因而，妻子總是在夢境的關(guān)鍵時候出現(xiàn)，妨礙、破壞行動，而這都來源于他的潛意識。驚訝于潛意識的力量。不由聯(lián)想到可能生活中有些自己無法理解的行為也是潛意識在作用。影片中沒有描述柯布是否后悔自己當(dāng)初對夢境的研究。但他冒險執(zhí)行最后一項任務(wù)就是為了回家，想必是無數(shù)個夜晚輾轉(zhuǎn)難眠。

柯布與筑夢師。我覺得他兩是伯樂與千里馬，也是默契十足的搭檔。他們互相理解，互相幫助。最后柯布可以擺脫潛意識里的妻子，漸漸回歸正常。筑夢師功不可沒。

柯布與其他搭檔們。特別佩服他們間的團隊精神與義無反顧。為了柯布的回家夢鋌而走險。遇到困境，沒有遲疑和氣餒，竭盡全力完成任務(wù)。那是一種耀眼的光芒。

再來說說柯布回到家的畫面。那句“歡迎回家”對柯布來說應(yīng)該再沒有更動聽的語言了吧。

其實影片結(jié)局讓你迷惑。我們不知道柯布是真的回家了還是迷失在夢境。

這估計是最好的結(jié)局，也是電影想傳達(dá)的精神。就像是人生，我們在分叉路口時常會迷失，會不知所措，分不清東西南北。這時，就需要一個特制的物件來提醒自己回歸初心。

關(guān)于盜夢空間電影觀后感范文5篇3

在一個下雨的周六和朋友相約去影院看《盜夢空間》，買票的隊伍竟然一直排到了影院外，《盜夢空間》無論是票房還是口碑真正做到了叫好又叫座，正如諾蘭導(dǎo)演的上一部作品《蝙蝠俠前傳2：黑暗騎士》一樣。

這是一部“不怕劇透”的電影，導(dǎo)演和編劇為了故事的成立給予觀眾很多假設(shè)和規(guī)則，包括人的潛意識、夢中夢、重新詮釋的“穿越”等等。其實最偉大的造夢師應(yīng)該是影片以導(dǎo)演諾蘭為首的制作團隊，能將自己的想法變成一部電影，我們觀影時又何嘗不是進入了他的夢境。

值得一提的是電影帶來的歡樂笑場，這恐怕是導(dǎo)演也始料未及的。在睡夢中始終保持高雅微笑，又會使壞騙吻的亞瑟一角在影片中充滿喜感，一舉一動都牽動著觀眾的嘴角。而萊昂納多關(guān)于“jump”的臺詞也得到了網(wǎng)友們的熱議，許多人看完后大嘆：“《泰坦尼克號》里萊昂納多對露西說：‘youjump,ijump!’，《盜夢空間》里萊昂納多對梅爾說：‘ifyoujump,iwilnotjumpwithyou!’果然男人成熟后就不會再相信愛情這回事了?！边@讓我不禁聯(lián)想到《麥田里的守望者》中塞林格借霍爾頓之口說“一個不成熟男人的標(biāo)志是他愿意為某些事去死，而一個成熟男人的標(biāo)志是他愿意為某些事卑賤地活著。”這樣看來，這也是一個愛情和救贖的故事，為了死去的妻子魂牽夢縈，渴望夢中的妻子變成現(xiàn)實。

人們喜歡用“人生如夢”這個詞來形容世事無定，人生短促，我倒是從這電影中看出了莊周夢蝶的意味，現(xiàn)實和夢境也會有曖昧不清的時候，不過“在夢里走了很多路，醒來后發(fā)現(xiàn)自己還在床上”這種事終歸是種不幸。在夢里，永遠(yuǎn)找不到開始，更無所謂結(jié)束，夢的存在只是一個過程，當(dāng)你記得時，你已經(jīng)在過程中，至于那個最初的理由，是永遠(yuǎn)不可能被捅破的秘密。也因此，這便能解釋所有的一切，包括最后那個定格畫面。陀螺是否停下了?也許它會不停轉(zhuǎn)下去，為逼仄的現(xiàn)實而轉(zhuǎn)，讓夢成為最真的現(xiàn)實。

關(guān)于盜夢空間電影觀后感范文5篇4

我們醒著， 在做關(guān)于未來的夢;我們睡著，在做關(guān)于以前的夢;半醒半睡之間，夢與現(xiàn)實的距離也就不那么明顯了。

有時候，我也想做一個盜夢者。我想去我喜歡的人的夢里看看，看他究竟在想些什么。我想做一個關(guān)于愛情的美夢。像電影里的那樣，沉醉而不愿醒。

我們?yōu)槭裁磹圩鰤裟?

大概是為了那份奢侈的自由吧，我想。在夢里我們可以做一個超人;在夢里我，們可以不負(fù)責(zé)任;在夢里，我們可以為所欲為。在夢里，我們?nèi)缤莿倧哪阁w降生的嬰兒般赤裸，就連哭泣也只是出于本能。

夢與現(xiàn)實的距離到底有多遠(yuǎn)呢?

有些夢，我們從來未向任何人提起，甚至連我們自己也沒有告訴。但在我們的潛意識里，它真實且清晰的存在。我們清楚地知道，這，就是我們想要的。

有一天，當(dāng)我們有足夠的能力，去讓這些小小的夢想，可以與現(xiàn)實的舞臺上翩躚的時候，這些夢想就如同一顆埋在我們身體里的炸彈碰，“砰”一聲爆裂在空氣中。周圍的人感到不可思議，而我們自己，寂靜，歡喜。

能做夢，終究是好的吧。

不是每一個人，都可以在午夜安然入睡;亦不是每個人，每晚都可以做個好夢。

夢也好，現(xiàn)實也罷。

我們喜歡的才是最好的。又何必分那么清呢。

祝你夜夜好眠。

關(guān)于盜夢空間電影觀后感范文5篇5

我們過往的經(jīng)歷，是一系列意念植入的結(jié)果，可是自己卻意識不到。而這些來源于早年間植入到我們腦中的各種意念，它們仿佛寄生物一般，強烈的影響著我們的行為，乃至命運。

我們從哪兒開始的，又為何要這樣做，也許連自己都不知道，冥冥之中就好像被一個既定的范本框定住了一樣，只能一步步朝著那早已確定的結(jié)果不斷前進。

如何改變，如何突破，并保證不把這些好似已經(jīng)確定的觀念傳遞給他人，尤其是我們的孩子呢?

這就需要我們?nèi)ゲ粩嗟膶W(xué)習(xí)與覺知。能力強大的可以自我療愈(突破)，像影片中的柯布那樣;能力不足的就需要借助外力。

當(dāng)對某些問題意識不到，體會不清時，一是可以通過身心提升訓(xùn)練升級我們的潛意識，使得我們變的更加強大;二是可以借助心理師的力量，通過心理咨詢，去看清，認(rèn)清，理清……

影片中的小費舍其實就是通過造夢師接受了一次在思想層面的心理咨詢過程。小費舍對父親的恨，實際上是包裹在愛的防御下并不能被自己所意識到的，而恨的根源來自父親對他的不認(rèn)可和不接納。

起初齋藤找到柯布就是想利用這一點去在夢中挑唆小費舍與自己的父親對抗并在父親死后解散掉家族企業(yè)。但是萬萬沒想到，在夢中小費舍卻得到了父親的肯定與支持。在老費舍去世前，他表示：希望小費舍做自己，做真實的自己，而并不是小費舍之前誤解的那樣——父親對自己很失望。爺倆最終得到了和解!

而這一切實際上促成了小費舍的自我認(rèn)同，他不再需要去為了討得父親的歡心而委屈自己，他決定要做回自己!不再繼承父親的基業(yè)，而是去做自己想做的事業(yè)。這其實也間接達(dá)成了齋藤的植念計劃，真是歪打正著啊!

英語電影觀后感 篇4

貧民窟的百萬富

slumdog millionaire

the story of jamal malik, an 18 year-old orphan from the slums of mumbai, who is about to experience the biggest day of his life. with the whole nation watching, he is just one question away from winning a staggering 20 million rupees on india's "who wants to be a millionaire?" but when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much?

desperate to prove his innocence, jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road.each chapter of his story reveals the key to the answer to one of the game show's questions.

18歲的孟買人賈馬爾馬利克（jamal malik）即將經(jīng)歷一生中最重要的一天，貧民窟孤兒的故事。隨著全國看，他只是一個問題遠(yuǎn)離贏得了驚人的2000萬盧比對印度的“誰想成為百萬富翁？”但是，當(dāng)在晚上的節(jié)目時段，警方拘捕涉嫌欺騙他，怎么可能一街孩子知道這么多？

為了證明自己的清白，賈馬爾告訴他和他哥哥在貧民窟長大，他們給他講了與他的冒險故事生活在一起的故事路。每一章，揭示了他對關(guān)鍵游戲節(jié)目問題的答案之一。

what makes this story great? i must say that this is one of the most realistic movies i saw. watching it is just like hearing an orphan telling about his hardships and struggles on the streets.

the violence, the emotions, the realms of a third world country, and the beauty of love regardless of any situation was nicely presented on the movie. it also showed the kind of life the slams of india has - the children, the women, and the heartless adults. the nicest thing that i like about the movie is the light after dark part.

that something good is possible when you just don’t lose hope.

the innocent look and the sad eyes of dev patel are perfect for jamal’s character. frieda pinto is really pretty, just the perfect flower on the movie. the rest of the characters are well-suited.

this movie’s characters must be the well selected indian actors.

是什么讓這個偉大的故事？我必須說，這是最現(xiàn)實的電影，我看到一?？此拖褚粋€聽證會告訴他的困難孤兒和街頭的斗爭。

暴力，情感，第三世界國家的狀態(tài)，愛情的美麗，無論情況如何，都是一部好電影。它也表明了這種生活了印度大滿貫 - 兒童，婦女，無情的成年人。的最好的東西，我喜歡的電影是在黑暗的一部分光。

這是好東西時，你可能只是不失去希望。

無辜的外觀和開發(fā)帕特爾的哀傷的眼睛是賈馬爾的性格完美。弗里達(dá)平托是真的很漂亮，只是在電影完美的花。字符的其余的都是非常適合。這部電影的角色必須是好選擇印度演員。

the story expands into the lead actor’s life experience and how he come to know about the correct answers in the show. overall, i came out of the movie feeling it was nicely done. the movie brings the audience into the actual daily realities of life in india and it depicts how one can chase love and in the course of it something good could happen and life without hope will change.

故事的主人公延伸到生活的經(jīng)驗和如何理解他所展事的正確答案。總的來說，我出來的電影的感覺是很好做。這部電影帶來了進入印度的日?，F(xiàn)實生活中的實際觀眾，它描繪一個人怎么能在追逐愛情和它當(dāng)然不希望會有所改變了，生活好可能發(fā)生。

this is a story about one path leading to the final success is people's endurance and resolution,of course, some certain good luck also count.

這是一個關(guān)于通往成功之路的故事。這是一個關(guān)于人們的忍耐力和解決方法的故事。一定的運氣也不錯。

let's give some further explanation about this path. first of all, as an indispensible element resulting in success, endurance plays an important role in the course of people's life.directly speaking, it's hard for people to get to his destination without it.

as for the resolution,just like the hero performing in this movie, determines his final fate. he has dream in his deepest heart, and he has the resolution to make it come true, eventually, by means of it, his dream has been realized.

above these elements mentioned above, good luck is also important.sometimes, it can help push things forward.

讓我們提供一些有關(guān)這條道路進一步的解釋。首先，作為一個成功的必不可少的因素造成的，耐力扮演一個在人們固然重要角色的life.directly來說，很難讓人們對他的目標(biāo)沒有對決議it.

就像劇中的英雄一樣，這部電影，決定了他的最終命運。他心中最深的夢想，他已通過的決心是是指成為現(xiàn)實，最后，他的夢想實現(xiàn)了。

以上這些因素，運氣也很重要。有時候，這可以幫助推動事情向前發(fā)展。

in all,we can not be of successful without our hard work.

總之，我們不能沒有我們的成功努力。

飛屋環(huán)游記

i am honored today watched the united states, 3d cartoon animated film "fly house ring journey", which is to use special glasses to watch the results immersive its territory, stone fly over, just to drop it on himself, i am not but big calls out.

the story is the old man carl and his wife eliza has always been thought of children in south america, waterfall wonderland adventure, resulting from the failure to move forward in life, eliza's death, and carl has been depressed forever because he thought at this age it is impossible to go sing. later, builders want to demolish his own house, old people are very angry, sad, and he whim, with tens of thousands of balloons tied to the house, the cottage is really uprooted overfly, and mistakenly entered his house with a stupid russell flew with the boy in south america. journey, they funny bird, simple and honest and courageous dog overcome difficulties together with round after round, after untold hardships, taking advantage of their wisdom to defeat the ferocious vicious symonds, the little boy russell has also been a result "help the elderly" badge.

英語電影觀后感 篇5

關(guān)于電影盜夢空間觀后感1

必須要說的是這部片子是真正意義上的好萊塢大片，硬件方面讓演技與顏值都無可挑剔的小李子演主角，還有就是影片的場景設(shè)計也是高比格，軟件方面，劇情絲絲如扣，題材新穎獨特，特別是結(jié)尾很是驚艷，讓人有種置身夢境的感覺。

只要是人都會做夢，在夢里我們就是自己的王，掌控著自己跟他人的一切，可是有這么一幫人，他們能夠進入他人的夢境，影響并改變他人的決定，他們就是小李子領(lǐng)銜的盜夢人，他們拿人錢財替人消災(zāi)，卻從不傷人性命，因為要想進入別人夢境，他們需要跟一身犯險，跟被盜夢者變成一根繩子上的螞蚱，所以說這個工作還有高危性。

盜夢專家除了要跟被盜夢者變成命運共同體外，還要避免入戲太深，以致自己陷入其中，從此一睡不醒，因為他人的夢里的東西，一般來說都是在現(xiàn)實生活里承受不了的，所以才會放在夢境里，盜夢著竊取他人的夢，等于說是把他人的痛苦也轉(zhuǎn)移到自己身上，試問這種生命中不能承受之重，放到誰身上都會受不了的。

人雖然是萬物的靈長，可也會受傷，身體上的用藥就能治好，可心靈的怎么辦?躲在夢里獨自舔嗜傷口未免不是個好辦法，畢竟那是自己的夢，可以在里面痛哭，大笑，生氣，不用擔(dān)心被他人看到，所以說夢是治愈心傷的良藥，平素現(xiàn)實世界里沒說出口的話，還有無法再見到的人，也許在夢境里會幫我們實現(xiàn)。

影片結(jié)局不停旋轉(zhuǎn)的陀螺，代表著人類飛速轉(zhuǎn)動的大腦，即使睡著了，大腦不會停，夢就不會斷，可此時的我們到底是在現(xiàn)實還是在夢境呢?也許本來人生就是夢一場吧。

關(guān)于電影盜夢空間觀后感2

《盜夢空間》又名《奠基》，編劇兼導(dǎo)演是克里斯托弗·諾蘭，這部影片獲得了第83屆奧斯卡最佳攝影、最佳音效剪輯、最佳視覺效果、最佳混音效果四項大獎。

《盜夢空間》以其極具想象力的空間，給觀眾打開了夢境之迷，讓每個觀眾從影片中似乎都能找到自己的影子，脫離現(xiàn)實卻又浮塵于現(xiàn)實之上，帶領(lǐng)觀眾游走于夢境與現(xiàn)實之間，被定義為“發(fā)生在意識結(jié)構(gòu)內(nèi)的當(dāng)代動作科幻片”。

《盜夢空間》關(guān)于夢境的設(shè)計是：他們的第一層夢境是尤瑟夫的夢境，是在一座大城市里;第二層夢境是亞瑟的，在一座酒店里;第三層夢境是費舍爾的，在一個雪中要塞;第四層夢境是科布的，在科布和他亡妻曾經(jīng)進入過的迷失域;第五層是潛意識邊緣。每進入一層夢境，時間會慢二十倍(即大腦思考速度加快)，10個小時的航程，1層夢要1個星期，2層夢要6個月，3層夢要……但可以用協(xié)同刺激來喚醒。

《盜夢空間》整個故事情節(jié)扣人心弦、思路嚴(yán)謹(jǐn)，兼具幾何學(xué)、邏輯學(xué)、物理學(xué)、建筑學(xué)等各種學(xué)科，令人回味無窮。它那錯綜復(fù)雜的情節(jié)設(shè)置、眼花繚亂的動作編排、扣人心弦的陷阱轉(zhuǎn)折、充滿詭異的窒息氛圍，就像一座精密紛繁的迷宮，即使徜徉數(shù)遍，仍能讓人有意猶未盡、神秘莫測之感。

熒幕上，一首夢之跌宕曲喧囂上演，分崩離析的高樓大廈、扭曲地心引力的街道、無跡可尋的顛倒空間，讓我無比震撼。電影的各種精彩的鏡頭和精湛的拍攝技術(shù)讓我難忘，讓我對編劇兼導(dǎo)演克里斯托弗·諾蘭更加敬佩!

關(guān)于電影盜夢空間觀后感3

夢中夢自有夢中夢，誰說夢中沒有夢?今天，這部電影就讓你知道夢中也有夢，而且還不止一個，同時也讓你懷疑自己的智商。

《盜夢空間》這部電影講述了柯布和他的團隊，穿梭于各個夢境盜取別人的機密、財富的故事。

這部電影是一部非常好看、創(chuàng)新的電影，自己看什么都看不懂，就看他們，刷、刷、刷弄來弄去，最后回來，我看得自己眼睛都有幻影了?？赐旰笪掖竽X“砰”的一下短路了——一片空白，大量信息飛一樣地奔入我的腦中，使人頭痛欲裂，卻又無法解答，真想馬上拿出手機看電影解析。天呢!地呢!太難看懂了!我這IQ只有50的小腦子，快炸了!所以這部電影你要IQ300才能觀看，不然——會短路!

使我印象比較深刻的便是柯布了。他應(yīng)該也是一位十分優(yōu)秀的筑夢師，可因為妻子不能再筑夢。他給團隊請的筑夢師的入隊條件也太變態(tài)了吧!兩分鐘內(nèi)畫一個迷宮!我估計那名新筑夢師的第一反應(yīng)便是——大哥，你逗我呢!不過她也真是奇葩，還真給畫出來了，好像還是一個圓形的。更可怕的是后面的夢境，被改的簡直就像哪位大師畫出來的不可能的圖形一樣。比方說：你正在上樓梯，卻去到了二樓的墻壁上，這個墻壁卻又連著隔壁房間的天花板……Oh大哥，逗我玩呢?眼睛都看瞎了。這已經(jīng)很牛了，但更讓人琢磨不透的還是結(jié)尾。

他到底有沒有回到現(xiàn)實世界中?我認(rèn)為是的，他回來了，雖然他可以用陀螺來辨別，但最后這個導(dǎo)演不給面子，搞事情，不多留個幾秒看看陀螺到底倒了沒。所以我們必須另找線索——戒指。沒錯，就是戒指!他這個東西在夢境中是出現(xiàn)的，但在現(xiàn)實中是消失的。所以我認(rèn)為這是一個特別的道具可以明辨現(xiàn)實，可好像又不是，可又很納悶——那既然有了這個戒指又何必要用陀螺呢?

看完后的我甚至感覺，自己的世界也不真實了……想讓別人踢我一腳。

關(guān)于電影盜夢空間觀后感4

《盜夢空間》是我看過的最好電影之一，場景的設(shè)置十分多樣，而且，我一開始，根本就沒看懂怎樣回事，直到影片進行到一段后，才開始慢慢地有些看懂，就是這個盜夢空間，讓我開始對男主角里昂那多迪卡普里奧開始有了較深的印象，雖然在泰坦尼克號的片段里我就見過他，但是直到盜夢空間，我才開始真正感受到他的魅力，用楓的話說，是：他的眼神，很犀利。

盜夢空間的劇情進行地十分快速，一開場就把主角基本上都給出場了，此刻回想這個片，我忽然想起里昂那多迪卡普里奧總是有著不少逃亡的鏡頭，即使是狼狽的在逃跑，卻在槍林彈雨中仍然表現(xiàn)地那么能干，有些畫面很滑稽，比如在盜夢空間里，他為了躲過康柏的追擊，被列車夾在墻里的那個難受樣，實在好笑。

那個造夢者的女生的初次面試我覺得很經(jīng)典，你看她的表情，她的眼神，多么的有意思，一副不肯被小看的樣貌，她很厲害，而且十分的有個性，是我喜歡的那種類型。

其他人物在劇中也是舉足輕重，比如那個費雪小帥，比如那個偽裝者，但是還是主角給我的印象最深，他的那份痛苦，他的那份內(nèi)疚，還有，在刺客說的那句話：

在泰坦尼克號，里昂那多迪卡普里奧說：你挑我也跳，而到了盜夢空間，里昂那多迪卡普里奧則說：你跳我不跳，看到他成熟了，我們留下了欣慰的眼淚。

關(guān)于電影盜夢空間觀后感5

我的家里收藏了許多鄭淵潔的書，我覺得它們淺顯易懂卻又不乏哲理。

九點了，媽媽和爸爸都睡著了，我輕手輕腳地從床上坐起來，掀開被子，下了床，去櫥柜里取出皮皮魯系列中我最青睞的一本——《皮皮魯與病菌老大》。這本書講的是一名化驗師與一個病菌中的領(lǐng)導(dǎo)聯(lián)手指揮病菌往貪錢的人身上入侵的故事。

“啪!”燈暗了下來，書自己翻動了起來，皮皮魯化身拇指先生出現(xiàn)在書的上方，書自己翻動了起來，說：“你這么喜歡看這本書，告訴我原因好嗎?”“因為一看到貪錢的人中箭落馬，就一陣舒暢。”我說?！澳隳鞘浅圆涣似咸褏s說葡萄酸!喏，這個給你。”皮皮魯拿出一個指環(huán)，“午夜12點之前一定要回來。”

一陣斗轉(zhuǎn)星移，我搖身一變成為了教育局局長，各個下屬溜須拍馬，大獻殷勤，說我是什么最美局長，一開始我還十分不解，后來也忍不住聽了又聽。

“局長，”我的秘書進了我的辦公室，“下次記得先敲門!”我不耐煩地說?！笆?，是?！泵貢f。天啊!我嘴里竟然吐出了這種味道的話!

“局長，有麻袋?！薄坝新榇笔墙逃重炗械陌堤?，意為“有一大頭帶著幾十萬及以上的錢來訪”。我點點頭，秘書走去開門。

“周局長，別來無恙啊!”我吃了一驚?！靶?”我問，“你怎么在這兒?”“周局長啊，你不是派小余全權(quán)負(fù)責(zé)今年高考嗎?我朋友的.孩子，要提到大學(xué)一本，還差那么五十幾分，小余那兒我已經(jīng)打點好了，她第一次有點膽小，非要我到你這兒打點一下，怕上面查出漏洞?！蔽铱戳丝茨且宦榇X，一半貪心不足，一半想讓他知難而退，就壯著膽兒說：“不夠?！?/p>

他伸出一根手指，說：“一個億呢?”這數(shù)太大了，大得我無法想象?！叭昵逯f雪花銀”，我不受控制地接受了。

我一看指環(huán)，十一點半，我受不了這個骯臟的世界了，我按下紅色按鈕，返程。

皮皮魯說：“幸虧我知道會這樣，就調(diào)到了夢幻模式，剛才的錢，全是幻像。”我驚訝地發(fā)現(xiàn)，有人打著正義肅貪的旗號，只是嫉妒。受不了誘惑，便不去冒險了吧，我想。

我上了床，一看鐘，十一點，一看書，一道清晰的印記。

英語電影觀后感 篇6

關(guān)于盜夢空間電影觀后感1

《盜夢空間》男主角道姆·科布是一個善于潛夢的竊賊。在人們熟睡且精神脆弱的時候，他潛入別人夢中，竊取潛意識中有價值的信息和秘密，在這過程中夢中人腦運轉(zhuǎn)速度比現(xiàn)實中快20倍，而在夢中消磨一小時相抵現(xiàn)實生活中的5分鐘。

那么《盜夢空間》給我?guī)砟男┱鸷?，而又引發(fā)了怎樣深沉得思考?

(1)夢境設(shè)計師可以在夢境內(nèi)構(gòu)造自己意念中的世界，如年輕的夢境設(shè)計師艾里阿德妮帶著好奇心來到了科布的夢境，在潛意識里她也在構(gòu)建自己的世界，她心中所想的街道也成為立體的模式并塑造出她所構(gòu)筑的虛幻世界，只兩面立體鏡卻像一層套著一層，男主角像會分身術(shù)一樣出現(xiàn)。而男主角的意識里躲著一個陰暗的人格，他的氣焰轉(zhuǎn)化成矛頭，更多虛構(gòu)的人用憤怒的眼神看著艾里阿德妮，直至殺死她，最后她在睡夢中驚醒。

(2)由于分不清現(xiàn)實與夢境的區(qū)別，很多人會一直沉睡，高級藥劑師的出場為整部劇層層嵌套的格局埋下伏筆，出乎意料的是在進入費舍爾的夢境里，還有防盜夢者，他們面對著死亡，于是又在策劃下一層夢境，在規(guī)定的時間完成任務(wù)并采取特殊手段。自始自終，他們一直有一個目標(biāo)，在費舍爾的頭腦中植入遣散公司的意念，從而消滅齋藤的對手，如果成功，齋藤將帶他回國，科布將會見到自己的兒女，這從開始就是場交易，一場生與死的拼搏!

(3)三層夢境環(huán)環(huán)相套，在第三層夢境中又套著一層，科布潛意識里的亡妻存在于構(gòu)建的迷茫中(現(xiàn)實與夢境的糾結(jié))，最后科布說出他的植入理念給他帶來的深深罪惡感，并從意識邊緣中清醒過來，同時電影最后也設(shè)置了一個懸念，科布回到現(xiàn)實世界了嗎?在我看來：最后的時候，陀螺轉(zhuǎn)速變慢，中心軸左右搖擺，看似有停止轉(zhuǎn)動的前兆，可判斷為現(xiàn)實。只是電影突然停止，如若眼神飄忽，也會有另一番想象。另外，科布的世界里是沒有兒女的樣子，電影里有提到在夢里科布每次想叫孩子，孩子就會轉(zhuǎn)身跑掉，但和兒女團聚之后孩子轉(zhuǎn)過了臉，由此判斷是現(xiàn)實的。然而這只是片面之詞，盜夢空間若有下部，于劇情需要，他是沒回現(xiàn)實世界的，或許又有更強的人來發(fā)掘更精彩的世界!

關(guān)于盜夢空間電影觀后感2

新學(xué)期的第一個周末，剛好《盜夢空間》上映，我約上三兩同學(xué)，一同去購物公園的五星電影院搶先觀看。不愧是熱門電影，來看《盜夢空間》的人還真多。我們排隊買票之后，趕緊進入放映廳，等待開映。

故事在一個一個“扣”的揭開中展開，整個電影劇情在親情、愛情、和驚險刺激的場面中深入，在萊昂納多重回現(xiàn)實中結(jié)束。

若觀看了這個電影后，不禁被導(dǎo)演諾蘭的敘事方式和創(chuàng)意手法所折服，故事在夢境和現(xiàn)實中不斷交錯，故事情節(jié)盤根錯節(jié)，讓我看了不禁拍案叫絕。

影片中的主人公似乎是迷失在現(xiàn)實與夢境中，已經(jīng)完全模糊了，分不清現(xiàn)實還是夢境。由此，我聯(lián)想到了我自己。我也有自己的夢想，我夢想成為一名作家，我只喜歡語文、政治、歷史，而不喜歡理科。我文科成績很好而理科成績一塌糊涂。但是現(xiàn)實是，我必須通過中考才能上高中、通過高考才能上大學(xué)，上了大學(xué)才能更好的實現(xiàn)我的夢想。而以我蹩腳的理科成績，很難上到好的高中，也就很難上到很好的大學(xué)了。我一直處在糾結(jié)中。

看看了《盜夢空間》，經(jīng)過深思熟慮，我明白了現(xiàn)實與夢想的區(qū)別，我必須處理好我現(xiàn)在的顯示問題，我必須把理科學(xué)好，考上好高中、才能繼續(xù)我的夢想。

《盜夢空間》是一部非常好看的電影，我很喜歡。

關(guān)于盜夢空間電影觀后感3

《盜夢空間》又名《奠基》，編劇兼導(dǎo)演是克里斯托弗·諾蘭，這部影片獲得了第83屆奧斯卡最佳攝影、最佳音效剪輯、最佳視覺效果、最佳混音效果四項大獎。

《盜夢空間》以其極具想象力的空間，給觀眾打開了夢境之迷，讓每個觀眾從影片中似乎都能找到自己的影子，脫離現(xiàn)實卻又浮塵于現(xiàn)實之上，帶領(lǐng)觀眾游走于夢境與現(xiàn)實之間，被定義為“發(fā)生在意識結(jié)構(gòu)內(nèi)的當(dāng)代動作科幻片”。

《盜夢空間》關(guān)于夢境的設(shè)計是：他們的第一層夢境是尤瑟夫的夢境，是在一座大城市里;第二層夢境是亞瑟的，在一座酒店里;第三層夢境是費舍爾的，在一個雪中要塞;第四層夢境是科布的，在科布和他亡妻曾經(jīng)進入過的迷失域;第五層是潛意識邊緣。每進入一層夢境，時間會慢二十倍(即大腦思考速度加快)，10個小時的航程，1層夢要1個星期，2層夢要6個月，3層夢要……但可以用協(xié)同刺激來喚醒。

《盜夢空間》整個故事情節(jié)扣人心弦、思路嚴(yán)謹(jǐn)，兼具幾何學(xué)、邏輯學(xué)、物理學(xué)、建筑學(xué)等各種學(xué)科，令人回味無窮。它那錯綜復(fù)雜的情節(jié)設(shè)置、眼花繚亂的動作編排、扣人心弦的陷阱轉(zhuǎn)折、充滿詭異的窒息氛圍，就像一座精密紛繁的迷宮，即使徜徉數(shù)遍，仍能讓人有意猶未盡、神秘莫測之感。

熒幕上，一首夢之跌宕曲喧囂上演，分崩離析的高樓大廈、扭曲地心引力的街道、無跡可尋的顛倒空間，讓我無比震撼。電影的各種精彩的鏡頭和精湛的拍攝技術(shù)讓我難忘，讓我對編劇兼導(dǎo)演克里斯托弗·諾蘭更加敬佩!

關(guān)于盜夢空間電影觀后感4

夢中夢自有夢中夢，誰說夢中沒有夢?今天，這部電影就讓你知道夢中也有夢，而且還不止一個，同時也讓你懷疑自己的智商。

《盜夢空間》這部電影講述了柯布和他的團隊，穿梭于各個夢境盜取別人的機密、財富的故事。

這部電影是一部非常好看、創(chuàng)新的電影(別人說的)，自己看什么都看不懂，就看他們，刷、刷、刷弄來弄去，最后回來，我看得自己眼睛都有幻影了?？赐旰笪掖竽X“砰”的一下短路了——一片空白，大量信息飛一樣地奔入我的腦中，使人頭痛欲裂，卻又無法解答，真想馬上拿出手機看電影解析。天呢!地呢!太難看懂了!我這IQ只有50的小腦子，快炸了!所以這部電影你要IQ300才能觀看，不然——會短路!

使我印象比較深刻的便是柯布了。他應(yīng)該也是一位十分優(yōu)秀的筑夢師，可因為妻子不能再筑夢。他給團隊請的筑夢師的入隊條件也太變態(tài)了吧!兩分鐘內(nèi)畫一個迷宮!我估計那名新筑夢師的第一反應(yīng)便是——大哥，你逗我呢!不過她也真是奇葩，還真給畫出來了，好像還是一個圓形的。更可怕的是后面的夢境，被改的簡直就像哪位大師畫出來的不可能的圖形一樣。比方說：你正在上樓梯，卻去到了二樓的墻壁上，這個墻壁卻又連著隔壁房間的天花板……Oh大哥，逗我玩呢?眼睛都看瞎了。

這已經(jīng)很牛了，但更讓人琢磨不透的還是結(jié)尾。

他到底有沒有回到現(xiàn)實世界中?我認(rèn)為是的，他回來了，雖然他可以用陀螺來辨別，但最后這個導(dǎo)演不給面子，搞事情，不多留個幾秒看看陀螺到底倒了沒。所以我們必須另找線索——戒指。沒錯，就是戒指!他這個東西在夢境中是出現(xiàn)的，但在現(xiàn)實中是消失的。所以我認(rèn)為這是一個特別的道具可以明辨現(xiàn)實，可好像又不是，可又很納悶——那既然有了這個戒指又何必要用陀螺呢?

看完后的我甚至感覺，自己的世界也不真實了……想讓別人踢我一腳。

關(guān)于盜夢空間電影觀后感5

主人公柯布，和他的團隊擁有一項令人不寒而栗的特異功能——進入他人的夢境，盜取最重要的機密，就叫盜夢。

看完這部電影，腦里像是有團熊熊烈火在不停地?zé)约旱哪X子，為什么他們可以盜夢呢?為什么夢境的時間比現(xiàn)實快一些呢?結(jié)局更是令人百思不得其解……一連串的問題像是蠻橫的野獸不斷地撞擊著我的好奇心，使我不得不認(rèn)為這是部疑云重重的電影。我猜測著種種可能，可還是只是看到這真相的冰山一角，好似霧里看花，看到的還不是九牛一毛。在我為這部電影頭痛的同時也不得不敬佩導(dǎo)演，這如此繁瑣的線索需要怎樣的邏輯能力才能編出?這如此真實的夢境又要何等想象力?

我的腦袋好似一團漿糊將藕斷絲連的關(guān)系粘合在了一起，由此做出了自己的判斷以及觀點：①柯布回來了。在電影里每個盜夢者都有自己的圖騰，來幫助自己判斷是否還在夢境中。由主人公柯布的圖騰——陀螺，就不難看出，只要陀螺不倒，轉(zhuǎn)個不停那就是還在夢境中。而另一個盜夢小組的成員，那個夢境設(shè)計者的圖騰是象棋，這怎么轉(zhuǎn)?原來是用手推的，推得倒在現(xiàn)實中，推不倒應(yīng)該就像定在那一樣推不動。由此可以做出進一步的推測，不管圖騰的主人用不用力，認(rèn)不認(rèn)真，不會倒就是不會倒，要倒那就回來了!所以主人公是回來了的。②柯布沒回來。通過電影，觀眾不難看出每層夢境都需要一個人來接應(yīng)，而進入夢境的有六個人可以進入六層夢境哎!所以結(jié)局是在第六層夢境。

我總結(jié)出一句話：明白身處在夢境中，卻又出不來才是最可怕的。

英語電影觀后感 篇7

《昆蟲記》讀后感2020新版讀后感作文合集為范文網(wǎng)的會員“02156425852”投稿推薦，但愿對你的學(xué)習(xí)工作帶來幫助。

《昆蟲記》讀后感篇1

這本書的作者通過仔細(xì)觀察，多次實驗，細(xì)致描寫了各種昆蟲的生活習(xí)性、繁殖和捕食的方式，向讀者展現(xiàn)了一個奇妙的昆蟲世界。作者寫得生動有趣，讀者讀得興趣盎然。

整本書所寫的昆蟲都使我感到有趣之極。這都要歸功于作者的仔細(xì)觀察，細(xì)致描寫。如：螳螂的大腿下面生長著兩排十分鋒利的像鋸齒一樣的東西。在這兩排尖利的鋸齒后面，還生長著一些大牙，一共有三個?！盀槭椎哪菞l松毛蟲一面探測，一面稍稍地挖一下泥土，似乎在測定土的性質(zhì)”等，這些只有仔細(xì)觀察才能寫出來。光是仔細(xì)觀察還不夠，還要細(xì)致描寫，讀者才能看懂，又如“這小筒的外貌，有點像絲織品，白里略秀一點紅，小筒的上面疊著一層層鱗片，就跟屋頂上的瓦片似的”等，這些細(xì)致描寫，使整本書寫得更加生動、具體，引人入勝。

昆蟲世界非常奇妙!在我沒讀這本書之前，我不知道管蟲會穿“衣服”，不知道松蛾蟲會預(yù)測天氣，也不知道小蜘蛛會用絲線飛到各個地方?，F(xiàn)在我全知道了。有些動物的思維方式比人還高，例如赤條蜂給卵留食物時，是把毛毛蟲弄得不能動，失去知覺，而不是殺死毛毛蟲，這樣，就可以給食物“免費”保鮮。又如舍腰鋒給卵捕蜘蛛時，是只捕小的，這樣每只就可以使小蟲只要一頓就可吃完，每頓就可吃到新鮮的，怎么樣?聰明吧!

作者寫出這些都是因為他仔細(xì)觀察，而我，則是一個不太會觀察生活的人，因此，老師叫我寫作文時候，我總想不到題材。不過有一次例外，一次去上課的路上，我發(fā)現(xiàn)了一隊螞蟻正在搬食物，經(jīng)過觀察我發(fā)現(xiàn)，螞蟻是先把食物切成小塊，然后頂在頭上，搬回窩里，然后原路回，再搬。這次我雖然仔細(xì)觀察了，但這是對我感興趣的事。現(xiàn)在我明白了：不能只對我們感興趣的事仔細(xì)觀察，應(yīng)該對周圍的所有的事仔細(xì)觀察，才能做到無處不文章。瞧，小小的昆蟲也蘊含著大學(xué)問呢!

生活是寫作的源泉，只有仔細(xì)觀察周圍的一切，才能了解世界的奇妙。這是讀完《昆蟲記》后，我深刻體會到的。

作者寫出他仔細(xì)觀察，而我，則是不太會觀察生活的人，，老師叫我寫作文時候，我總想題材。不過有一次例外，一次去上課的路上，我了一隊螞蟻正在搬食物，觀察我，螞蟻是先把食物切成小塊，然后頂在頭上，搬回窩里，然后原路回，再搬。這次我仔細(xì)觀察了，但這是對我感興趣的事。現(xiàn)在我明白了：只對感興趣的事仔細(xì)觀察，應(yīng)該對周圍的所事仔細(xì)觀察，才能無處不文章。瞧，小小的昆蟲也蘊含著大學(xué)問呢!

現(xiàn)在我明白了：不能只對我們感興趣的事仔細(xì)觀察，應(yīng)該對周圍的所有的事仔細(xì)觀察，才能做到無處不文章。瞧，小小的昆蟲也蘊含著大學(xué)問呢!

《昆蟲記》讀后感篇2

今天，我讀了法布爾所寫的一部名著——《昆蟲日記》。法布爾是第一位在自然界中研究昆蟲的科學(xué)家，他用畢生的精力深入昆蟲世界，在自然環(huán)境中對昆蟲進行觀察與實驗，真實地記錄下昆蟲的本能與習(xí)性，完成了《昆蟲日記》這部昆蟲學(xué)巨著，他也因此受到了全世界人民的尊敬和愛戴。

法布爾刻苦鉆研，犧牲了自己私有的時間去觀察昆蟲?！独ハx日記》詳細(xì)地描繪了昆蟲的生活：如蜘蛛、蜜蜂、螳螂、蝎子、蟬、甲蟲、蟋蟀，等等。這給后世做出了很大的貢獻，使人類社會迅速走近了現(xiàn)代文明。

法布爾取得如此巨大的成就并不容易。他出生于農(nóng)民家庭，從小生活貧困，靠自學(xué)先后取得多個學(xué)位。他前半生一貧如洗，后半生勉強溫飽，但法布爾沒有向各種困難屈服，他勤于自修，精心選擇研究方向，堅持不懈地進行觀察研究昆蟲及植物，不斷獲得新成果。法布爾一生興趣，就是在于探索生命世界的真面目，發(fā)現(xiàn)自然界蘊含著的科學(xué)真理。他正因為熱愛真理所以撰寫《昆蟲日記》。

我多么渴望像法布爾那樣，到知識的海洋中去遨游，到科學(xué)的世界去探索，去揭開自然界中的一個又一個奧秘，為人類造福啊!然而，平時我連做數(shù)學(xué)題都不認(rèn)真，不刻苦。總是這多一個小括號，那落一個小數(shù)點什么的。同法布爾相比，我感到羞愧不已。

讀過《昆蟲日記》和法布爾的生平，我感受很深，《昆蟲日記》不僅僅充滿著對生命的敬畏之情，更蘊涵著追求真理、探求真相的求真精神，給了我很大的啟發(fā)：在生活中和學(xué)習(xí)中，我們要學(xué)習(xí)法布爾勇于探索世界、勇于追求真理的勇氣和毅力，無論做什么事情都要像法布爾那樣，要有一種嚴(yán)謹(jǐn)?shù)目茖W(xué)精神。做任何事情都要堅持不懈，即使條件再艱苦，也要為了理想而不斷奮斗。

《昆蟲記》讀后感篇3

昆蟲記是法國人法布爾寫成的。上面記載著栩栩如生的昆蟲。有它們的景況、昆蟲的進食……記錄的動物是在是太多了，我數(shù)也數(shù)不清。

以前，我一直以為螢火蟲是吃草的動物，可是我看了昆蟲記后，我才知道，它是喜歡吃的食肉動物他有兩片變成鉤狀的顎，十分鋒利，卻細(xì)的跟頭發(fā)一樣。我們都看不見，必須借助顯微鏡才能看到，彎鉤上有一道細(xì)細(xì)的槽，它像人類奇妙的外科手術(shù)一樣，對獵物注射麻醉藥，使它失去知覺。它還有一盞燈，晚上的時候更利于捕獵。我們也可以抓螢火蟲，晚上它可以當(dāng)我們的小燈用。

我很喜歡昆蟲，只有看了昆蟲記，我才知道更多的昆蟲知識。了解了螢火蟲的資料，我還知道螢火蟲會發(fā)光，屬于自然光。這都是靠法國人法布爾告訴我們的。我可以真正了解螢火蟲。

有著致命毒液的朗格多克蝎子，它的毒液戰(zhàn)無不勝，就連好像刀槍不入似的大孔雀蝶也不是它的對手，還有一些毒液也很厲害的毒蟲也不是它的對手。可想而之，朗格多克蝎子的毒液是多么毒。還有一些毒液也很厲害的毒蟲也不是它的對手。但是，幼蟲對它的免疫力是很高的，幼蟲被刺中后并沒死，它真厲害。蝎子一般擅長爬墻，以后舊屋子的縫隙中一定不能碰，說不定碰上什么有毒的害蟲一類的東西呢。

當(dāng)我看到朗格多克蝎子的毒液有那么強時，我真很害怕?，F(xiàn)在我終于知道了蝎子的危險，它可真毒，居然會放毒液，毒素還那么強，蝎子也是一個害蟲。他還攻擊人類，它真是十惡不赦，可惡之極。長大后，我一定要了解更多的蝎子知識，讓它消失。但是有的蝎子不壞，要好好保護。

法布爾很認(rèn)真，讓我們了解更多的知識，謝謝法布爾。

我喜歡《昆蟲記》!

《昆蟲記》讀后感篇4

《昆蟲記》是法國杰出昆蟲學(xué)家，文學(xué)家法布爾的傳世佳作，亦是一部不朽的世界名著。作家巴金說：“它熔作者畢生研究成果和人生感悟于一爐，以人性觀察蟲性，將昆蟲世界化作供人類獲得知識，趣味，美感和思想的美文?！?/p>

作者把畢生從事昆蟲研究的成果和經(jīng)歷用散文的形式記錄下來，以人文精神統(tǒng)領(lǐng)在自然科學(xué)的龐雜實據(jù)，蟲性，人性交融，使昆蟲世界成為人類獲得知識，趣味，美感和思想的文學(xué)形態(tài)，將區(qū)區(qū)小蟲的話題書寫成層次意味，全方位價值的巨制鴻篇，這樣的作品在世界上誠屬空前絕后。沒有哪位昆蟲家具備如此高明的文學(xué)表達(dá)才能，沒有哪位作家具備如此博大精深的昆蟲學(xué)造詣。若不是有為如此頑強的法布爾，我們的世界也就永遠(yuǎn)讀不到一部《昆蟲記》了。

說我們幸運，還有更深的道理。法布爾之所以頑強，是因為他有著某種精神。如果他放棄了，喪失了自己那種精神，這世界同樣不會出現(xiàn)一部《昆蟲記》。

《昆蟲記這是第一次接觸《昆蟲記》，是老師布置的寒假任務(wù)，一提到《昆蟲記》我就想起了那種平淡無趣的說明文，讓我頓時沒了興趣，但是才讀了一點，不知怎么的它就吸引了我。這是一部描述昆蟲們生育、勞作、狩獵與死亡的科普書，平實的文字，清新自然;幽默的敘述，惹人捧腹……人性化的蟲子們翩然登場，多么奇異、有趣的故事啊!法布爾的《昆蟲記》讓那些被我忽視太久了的昆蟲的身影，及它們囂張的鳴叫，一下子聚攏過來，讓我感到了他們的存在。在這之前，昆蟲的世界幾乎是我想象的，因為我沒時間也沒精力去觀察它們了、解它們，想象著他們十分和睦美好，不會有一地爭吵或是斗毆，但是自從看了《昆蟲記》，昆蟲的形象在我的心目中_了，原來昆蟲跟我們?nèi)祟愐粯佑猩c死，有勞動與掠奪等許多活動，這都與人有著驚人的相似。他跟我們?nèi)祟愐粯?，又善良的食草性昆蟲，又殘酷的食肉性昆蟲，我好像身臨其境一般，好像他們就在我眼前進行著一切活動，把我?guī)У搅艘粋€真實的昆蟲世界。

當(dāng)我繼續(xù)閱讀《昆蟲記》時，我看到法布爾細(xì)致入微地觀察毛蟲的旅行，我看到他不顧危險捕捉黃蜂，我看到他大膽假設(shè)、謹(jǐn)慎實驗、反復(fù)推敲實驗過程與數(shù)據(jù)，一步一步推斷高鼻蜂毒針的作用時間與效果，螢的捕食過程，捕蠅蜂處理獵物的方法，孔雀蛾的遠(yuǎn)距離聯(lián)絡(luò)……一次實驗失敗了，他收集數(shù)據(jù)、分析原因，轉(zhuǎn)身又設(shè)計下一次。嚴(yán)謹(jǐn)?shù)膶嶒灧椒?，大膽的質(zhì)疑精神，勤勉的作風(fēng)。這一次，我感覺到了“科學(xué)精神”及其博大精深的內(nèi)涵?！吩敿?xì)地描繪了昆蟲的生活：如蜘蛛、蜜蜂、螳螂、蝎子、蟬、甲蟲、蟋蟀，等等。這給后世作出了很大的貢獻，使人類社會迅速走了現(xiàn)代文明。

《昆蟲記》中對昆蟲的細(xì)節(jié)描寫更是令人不得不佩服法布爾超人的觀察力，如蟬和螞蟻乞討糧食時的狼狽形相：“螞蟻站在門檻上，身邊擺放著大袋大袋的麥粒，正調(diào)過臉去背對前來乞討的蟬。那蟬則伸著爪子，唔，對不起，是伸著手。頭戴十八世紀(jì)寬大撐邊女帽，胳膊下夾著吉他琴，裙擺被凜冽寒風(fēng)吹得貼在腿肚子上，這就是蟬的形象?！边@段乞討的描寫真是惟妙惟肖

《昆蟲記》中詳細(xì)介紹了許多昆蟲，介紹了它們的本能，習(xí)性，勞動，婚戀，繁衍和死亡。

《昆蟲記》是一部很吸引人的著作，因為這部科學(xué)百科同時也帶有文學(xué)色彩，文中的一字一句，都體現(xiàn)了作者的感情，同時也展現(xiàn)了的昆蟲的獨一無二的個性。楊柳天牛像個吝嗇鬼，身穿一件似乎“缺了布料”的短身燕尾服;小甲蟲“為它的后代作出無私的奉獻，為兒女操碎了心”;而被蜘蛛咬傷的小麻雀，也會“愉快地進食，如果我們喂食的動作慢了，它甚至回像嬰兒般哭鬧”。多么可愛的小生靈!難怪魯迅把《昆蟲記》奉為“講昆蟲生活”的楷模。

法布爾對昆蟲有著濃厚的興趣，因此他的《昆蟲記》也讓我在讀時仿佛自己就是一只在旁觀的昆蟲。每一只昆蟲都有人一樣的情感。如：“已經(jīng)慌了神的蝗蟲，完全把‘三十六計走為上策’這一招忘到腦后去了?！?/p>

在讀《昆蟲記》時，我甚至能想象昆蟲在活動的畫面，眼前不再是枯燥的文字，而是神秘的大自然。蟬再歌唱，蟋蟀再管理家務(wù)，蜘蛛再捕獲食物……神秘的自然中也有這么有趣的事物，我對大自然的敬意油然而生，它也有心細(xì)的一面。

。法布爾的《昆蟲記》，讓我沒有夢幻感，那些具體而詳細(xì)的文字，不時讓我感覺到放大鏡、潮濕、星辰，還有蟲子氣味的存在，仿佛置身于現(xiàn)場一樣。被我忽視太久了的昆蟲的身影，及它們囂張的鳴叫，一下子聚攏過來，我屏住呼吸，然后，憑它們穿透了我心靈的幽暗。是法布爾，讓我看到了昆蟲跟我們?nèi)祟愒谏c死，勞動與掠奪等許多問題上都有著驚人的相似。

法布爾再探索大自然的過程中一定遇到很大的困難，但是再大的困難也沒有擋住他探索的道路，我嘆服法布爾為探索大自然付出的精神，讓我感受到了昆蟲與環(huán)境息息相關(guān)，又讓我感受到了作者的獨具匠心和細(xì)微的觀察。

《昆蟲記》不是作家創(chuàng)造出來的世界，它不同于小說，它們是最基本的事實!是法布爾生活的每一天每一夜，是獨自的，安靜的，幾乎與世隔絕的寂寞與艱辛。我仰起了頭，這一刻，我非常想仰起我的頭，像仰望星空一樣，來對待昆蟲們存在的奧秘。

我嘆服那神秘的大自然，更嘆服法布爾為探索大自然付出的精神，讓我感受到了昆蟲與環(huán)境息息相關(guān)，又讓我感受到了作者的獨具匠心和細(xì)微的觀察。

更令人贊嘆的是，法布爾對昆蟲倒掛姿勢的描寫：如在金屬籠子里，椎頭螳螂的幼蟲停在一個地方后姿勢始終如一，毫不改變。它用四只后爪的爪尖鉤住網(wǎng)子，后背朝下，紋絲不動，高高掛在籠頂，四個懸點承受著整個身體的重量。倒掛棲駐姿勢是如此艱難，然而蒼蠅的倒掛姿勢卻截然不同。蒼蠅雖然也抓掛在天花板上，但是它總要抽出時間松弛一下，隨便飛一飛，操起正常姿勢走一走，肚皮貼地，肢體舒展開曬曬太陽。法布爾對昆蟲的描寫，真是細(xì)致入微，令人贊嘆。試問一下，那個人沒看到過蒼蠅倒掛的姿勢，但又有誰去注意它呢?但法布爾在《昆蟲記》中對上千種昆蟲進行了細(xì)致入微的描寫，這也正是法布爾的成功之處。

然而，法布爾的成功不是一蹴而就的，他的一生面臨著兩大難題：一是“偏見”，二是“貧窮”。法布爾勤奮刻苦，銳意進取，從農(nóng)民后代變成一位中學(xué)教師：中學(xué)教書二十余年他兢兢業(yè)業(yè)，同時業(yè)余觀察研究昆蟲及植物，發(fā)表過出色的論文。盡管如此，他想“登上大學(xué)講堂”的夢想始終沒有實現(xiàn)，開辟獨立的昆蟲實驗室的愿望始終得不到支持。教育，科學(xué)界們，骨子里看不起他的自學(xué)學(xué)歷，看不貫他的研究方向。這種漠視與某些人的虛偽，庸俗，妒嫉心里合拍，長期構(gòu)成對法布爾的偏見。法布爾生在窮苦人家，靠自己打工，讀完了小學(xué)，中學(xué);成年后只靠中學(xué)教師的工資，要后七口之家的生活，前半生一貧如洗，后半生勉強溫飽。然而，發(fā)布而沒有向“偏見”和“貧困”屈服。他依然勤于自修，擴充知識儲蓄，堅持不懈地觀察試驗，不斷獲得新成果，一次又一次回?fù)簟捌姟?。他擠出一枚枚錢，購買壇，罐，箱，籠，日復(fù)一日，月復(fù)一月，年復(fù)一年的極了研究資料，化教書匠之“貧困”為昆蟲學(xué)之富有。

他為了完成《昆蟲記》幾乎是犧牲了一切。他沒有抓住一生中出現(xiàn)的許多機遇去巧取功利，過上幻想中的“好日子”卻安于清苦，坐了一輩子冷板凳，甚至不惜把一家老小也捆在自己這張“板凳上”。

讀完這本書，我踮起放大鏡就跑出了家門。剛剛下過大雨，小草上還掛著露珠，顯得綠意盎然，青翠欲滴。屋檐下，晶瑩的雨滴一點點流淌下來。哈，在潮濕的墻壁上，我捉住了一只正在散步的慢吞吞的小家伙——蝸牛。我舉起放大鏡細(xì)致地觀察著它。它粉嫩的軀體從肉色的殼中探出一半，兩根天線似的觸角不安的抖動著，伸著。在我目不轉(zhuǎn)睛的注視下，它緩緩向前移動著。它爬過的地方，會留下一條透明的痕跡，這是它的黏液。端詳完蝸牛，我想：大自然真是千奇百怪，無奇不有，昆蟲真可愛，真有趣!

法布爾曾經(jīng)提出一個問題：“只為活命，吃苦是否值得?”為何吃苦的問題，他已經(jīng)用自己的九十二個春秋做出了回答：迎著“偏見”，伴著“貧窮”，不怕“犧牲”，“冒犯”和“忘卻”，這一切，就是為了那個“真”字。追求真理，探索真相，可謂“求真”。求真，這就是“法布爾的精神”。

在這本《昆蟲記》中，我們看到的不僅僅是昆蟲的大千世界，更應(yīng)該領(lǐng)略到的是法布爾“追求真理”“探索真理”的精神。

《昆蟲記》不僅僅浸溢著對生命的敬畏之情，更蘊含著某種精神。那種精神就是求真，即追求真理，探求真相。這就是法布爾精神。在《昆蟲記》的引導(dǎo)下，我要繼續(xù)探索神奇的昆蟲世界。

《昆蟲記》讀后感篇5

法布爾是一位法國的科普作家。他是法國第一位深入研究昆蟲的科學(xué)家。他把畢生精力都投入到了研究昆蟲本能與習(xí)性。經(jīng)過了多少個日日夜夜，終于寫成了《昆蟲記》這一本著作。

《昆蟲記》第一個特點就是，法布爾是親身實踐的，體現(xiàn)出了法布爾對于昆蟲研究的嚴(yán)謹(jǐn)性。這從中也體現(xiàn)出了法布爾熱愛真理。所以他在編寫《昆蟲記》時一貫“準(zhǔn)確記述觀察得到的事實，既不說廢話，也不少一個字。

在法布爾的那個時代，動物學(xué)家就是在給動物做解剖。昆蟲學(xué)家則是把昆蟲釘在木板上，再浸在燒酒里拿著放大鏡仔細(xì)觀察。卻很少思考昆蟲這個部分干什么用。法布爾卻深入觀察昆蟲的的生活習(xí)性，行為舉止。將自己變成了“蟲人”。他深入昆蟲的生活，用田野實驗的方法研究昆蟲的本能和習(xí)性，探究昆蟲的本能和習(xí)性，探究生命的本質(zhì)。

《昆蟲記》的第二個特點是語言的生動體現(xiàn)了很高的的文學(xué)性?！独ハx記》被認(rèn)為是“科學(xué)與詩的完美結(jié)合”。法布爾把畢生從事昆蟲研究的經(jīng)歷其成果大部分用散文的形式寫了出來。在表現(xiàn)手法上，主要以擬人化的手法使昆蟲具有想象力和愛憎感情。讀來會感到身臨其境

《昆蟲記》的第三個特點是昆蟲會思考人類，體現(xiàn)了很強的思想性。法布爾憑借自己獨特的情感體驗描蟲、悟蟲，以蟲來反觀人類。他筆下的昆蟲世界仿佛就是人類的縮影。在法布爾看來一切自相殘殺，是違背人類法則的，而人類對昆蟲呢?孩子們非常喜歡聽到他們踩踏蟲尸而發(fā)出的脆響。

所以，任何時候人類都不能違背人性和道德去做一些悖于自己法則的事。

英語電影觀后感 篇8

阿甘正傳觀后感（中英文對照）

阿甘有自我的堅持，他不斷地跑步，JUST RUNS。 他跑步不為任何理由。他說:

Mr。 A Gan has his own perseverance， keeping on running without of any reason， JUST RUNS。

He said: “Man has t look forward， and never encumbered by foretime。 I thank that's the

meaning of my running。” Say goodbye to foretime and don't stay in-place。 Although so many

people in the world are used to follow others and few people can stick to one thing，

Mr。 A Gan does and bees “GOD”。 There is another character Captain Dan。 Dan lost his

legs in Vietnarm War。 He said that his fate is death in war。 However， Mr。 A Gan saved him

and let him be alive。 After losing legs， Dan was decadent and disgusted with life，

plaining that A Gan shouldn't save him。 When he adjusted his mind， living on fishing

with A Gan， he started to enjoy the wonderful life and thank A Gan's help。 The movie is

intended to tell people that life is wonderful by this character。 Rainbow is always

after cloud。 The key point is that whether we have a good mind and an opportunity to

ourselves to change bad situation。 The movie is also sent such a message to us: do

well what we should do， and life will return us well。 There will be a miracle if only there is perseverance。

英語電影觀后感 篇9

題目review of ‘oliver twist’

學(xué)生姓名張鳳p>

專業(yè)班級09級商務(wù)英語

學(xué)號200903005p>

所在系經(jīng)濟**系p>

指導(dǎo)教師梁榮學(xué)p>

《霧都孤兒》讀后感

--------骯臟的世界,純潔的心靈

摘■■要

■■《霧都孤兒》是一部十分著名的小說，作者狄更斯，是英國的一位非常著名的作家。

小說的主人公是一個孤兒，名叫奧里弗，他的童年是在濟貧院度過的。后來，他被送到一個棺材鋪里當(dāng)學(xué)徒。因不堪忍受老板娘的壓迫，他向倫敦逃去。

路上，他遇上了一個外號機靈鬼的人，把他騙進了賊窩，在兩次偷盜中，他都遇到了好人，把他留在家里撫養(yǎng)，但又一次次的被抓回去。最后，隨著南西的病情好轉(zhuǎn)，他告訴他們一個他們偶然聽到的秘密，說奧里弗同父異母的兄弟想為了財產(chǎn)殺死他，于是他逮捕了小偷的巢穴，但出于同情，奧里弗放開了他的兄弟。奧里弗的災(zāi)難終于結(jié)束了。他被他第一次偷來的那位老先生收養(yǎng)了。

奧里弗只知道他偷了兩次，但被偷的是他父親的好朋友和姑姑。

整部小說充滿曲折，讓人不僅感嘆奧里弗的人生經(jīng)歷，對壞人說憤怒，對好人說感動，對奧里弗最后的幸福生活感到高興。而我最喜愛的人物，是在兩次奧里弗陷入危難時，沒有計較他偷了東西，而是十分同情他，并幫助了他的兩個人。因為他們的善良，奧里弗才得救，也因為他們的善良，才使世界上少了一個受苦的孩子，是將來少了一個賊，多了一個好人。

如果世界上的人都想他們一樣，我想世界上不會有受苦受難的人和這么多孤兒。正如一首歌中所唱的：“只有人人都獻出一點愛，世界將變成美好的人間。

”而我也為其中的南西所感動，她是賊窩得一分子，但她沒有被賊窩染黑了心，她知道悔改，知道去憐憫一個孤兒。但她也被那個善良的人感動了?？梢钥闯?，如果好人多了，他們也許能在小偷的巢穴里影響一刻，影響一點點人心。但是，我也為南西所悲哀，她最后的結(jié)局十分慘，她***了，而打死她的人，確是她一直不舍得離開的人。

南西有很多機會逃離這個骯臟的世界，但她放棄了，只是因為她最后不愿意死。

關(guān)鍵詞■■善良賊憐憫骯臟孤兒

■■"oliver twist" is a very famous novels, the author dickens, is britain's a very famous writer.

this novel is the main character in a call montefiore eph orphans, his childhood was spent in contentedly. later, he was sent to a coffin bodega as an apprentice. because is unbearable shop-owner oppression, he told the london escape.

on the way, he met a nickname real johnny-on-the-spot, inveigle him into the thieves, in two theft, he met the good, raise left at home, but were caught and tears come back. finally, because the south west better, tell them overheard a secret, said mr. rivers of nathan39; s brother to property, to kill him, hence arrested thieves, but out of sympathy, montefiore eph spared the elder brother.

montefiore eph disaster finally came to an end, he was the first time he stole the old gentleman accept for yizi. montefiore eph just know, he stole twice, stolen unexpectedly is his father's friends and his real aunt.

the whole novel tortuous breathtaking, let a person not only for mr. rivers sigh, for bad antecedents of anger, be good people said touched, for mr. rivers finally happy life and happy.

but my favorite character, is in two montefiore eph into danger, as no notice of him of stealing, but very sympathized with him, and helping his two men. for their goodness, mr. rivers to be saved, but also because of their kind, just make the world less a suffering child, is less a thief in the future, many a good man.

if worldly people want to them the same thing, i think, the world will not have the affliction of the afflicted, won't have so many orphans. as a song in sung by: "only everyone is given their love, the world will become a better human.

" and i also for the south west touched, she is a molecular thieves, but she has not been thieves dyed black heart; she knew repentance, know to pity an orphan. but she is also is the good person touched, visible if one more good people, perhaps can influence a in the moment of thieves and a little bit of human hearts. but, i also for nancy have sorrow, she finally ending very miserably, she was killed, and killed her people, it is she has been reluctant to leave.

nancy have many chances to escape from that dirty world, but she gave up, is loathe to give up that last killed her.

key words■■goodthiefmercydirtyorphans

ⅰ■kind hearts ofoliver twist

oliver twist, one of the most famous works of charles dickens’, is a novel reflecting the tragic fact of the life in britain in 18th century.

the author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in london.

the hero of this novel was oliver twist, an orphan, who was thrown into a world full of poverty and crime. he suffered enormous pain, such as hunger, thirst, beating and abuse. while reading the tragic experiences of the little oliver, i was shocked by his sufferings.

i felt for the poor boy, but at the same time i detested the evil fagin and the brutal bill. to my relief, as was written in all the best stories, the goodness eventually conquered devil and oliver lived a happy life in the end. one of the plots that attracted me most is that after the theft, little oliver was allowed to recover in the kind care of mrs.

maylie and rose and began a new life. he went for walks with them, or rose read to him, and he worked hard at his lessons. he felt as if he had left behind forever the world of crime and hardship and poverty.

1.1.1■how can such a little boy who had already suffered oppressive affliction remain pure in body and mind?

he reason is the nature of goodness. i think it is the most important information implied in the novel by dickens-he believed that goodness could conquer every difficulty. although i don’t think goodness is omnipotent, yet i do believe that those who are kind-hearted live more happily than those who are evil-minded.

for me, the nature of goodness is one of the most necessary character for a person. goodness is to humans what water is to fish. he who is without goodness is an utterly worthless person.

on the contrary, as the famous saying goes, ‘the fragrance always stays in the hand that gives the rose’, he who is with goodness undoubtedly is a happy and useful person. people receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.

英語電影觀后感 篇10

《功夫熊貓》(《Kung Fu Panda》)的:

Funny!

I see this movie lastweek,

So terrfic,this film make me loving Kung Fu!

My liitle sister love the panda very much ,She ask me which kind annimal of Panda?

I told her its one of the cutiest animal in the world ,it only lives in China.

In this movie, Panda learns how to improve his level of Kung fu，many scence show that this cartoon is so funny,

You can see how things goes on with laugh,

I recommend this film to you.!

The film stars a panda named Po (voice of Jack Black), who is so fat he can barely get out of bed. He works for his father, Mr. Ping (James Hong) in a noodle shop, which features Ping's legendary Secret Ingredient. How Ping, apparently a stork or other billed member of the avian family, fathered a panda is a mystery, not least to Po, but then the movie is filled with a wide variety of creatures who don't much seem to notice their differences.

They live in the beautiful Valley of Peace with an ancient temple towering overhead, up zillions of steps, which the pudgy Po can barely climb. But climb them he does, dragging a noodle wagon, because all the people of the valley have gathered up there to witness the choosing of the Dragon Warrior, who will engage the dreaded Tai Lung (Ian McShane) in kung-fu combat. Five contenders have been selected, the ”Furious Five“: Monkey (Jackie Chan), Tigress (Angelina Jolie), Mantis (Seth Rogen), Viper (Lucy Liu) and Crane (David Cross). Tigress looks like she might be able to do some serious damage, but the others are less than impressive. Mantis in particular seems to weigh about an ounce, tops. All five have been trained (for nearly forever, I gather) by the wise Shifu, who with Dustin Hoffman's voice is one of the more dimensional characters in a story that doesn't give the others a lot of depth. Anyway, it's up to the temple master Oogway (Randall Duk Kim), an ancient turtle, to make the final selection, and he chooses -- yes, he chooses the hapless and pudgy Po.

The story then becomes essentially a series of action sequences, somewhat undermined by the fact that the combatants seem unable to be hurt, even if they fall from dizzying heights and crack stones open with their heads. There's an extended combat with Tai Lung on a disintegrating suspension bridge (haven't we seen that before?), hand-to-hand-to-tail combat with Po and Tai Lung, and upstaging everything, an energetic competition over a single dumpling.

”Kung Fu Panda“ is not one of the great recent animated films. The story is way too predictable, and truth to tell, Po himself didn't overwhelm me with his charisma. But it's elegantly drawn, the action sequences are packed with energy, and it's short enough that older viewers will be forgiving. For the kids, of course, all this stuff is much of a muchness, and here they go again.

Hotel Rwanda ---- a story of an African Schinderler

Hotel Rwanda is a film about a man. It was based on a real story of a man who saved 1268 people’s lives in a madness genocidal, which happened in Rwanda, 1994. The film was directed by Terry George, . The main actor Don Cheadle is not handsome but just an ordinary man. You probably will even not recognize him when you happen to meet him on the street. He acted a hero based on a true story, a man who was as simple as he is, Paul Rusesabagina. Paul is a hero, a real man, while a hero and a real man doesn’t always need to be handsome or attractive in the appearance. There are two nations in Rwanda, hutu and tutsi. Paul is a hutu manager working for a 4 stars hotel on town. The hutu army planed a genocidal to clear out all the tutsi people in ruwanda. The tutsi people were suffering a madness blood bath. Over 800,000 people had been killed within 100 days. Paul has a tutsi wife, in order to protect his wife, children and other tutsis; he took them to hide in the hotel Rwanda. There are many white people from all over the world lived in this hotel so the hotel is the safest place in Rwanda to hide. There are 80 UN soldiers in Rwanda but only 4 guarded in the hotel and all of them are not allowed to shot. If we say that Paul just wanted to save his wife at the beginning, after recognized that there is no one would come to help the tutsis, Paul throw himself into the breach. He bribed the hutu general by wine and gold, used out every coin of his to purchase the refugees’ lives, ten, a hundred, 2 hundreds, 3 hundreds… more and more tutsi refugees flee to the hotel wishing to survive. To them, Paul is an angel who keeps a hope for those hopeless people in the calamity. His goodness his mercy is the key to be alive.

The hotel Rwanda is a dramatically and war film, ingeniously, there was almost no lens for slaughtering; however, the threatener of death was full filling with the whole movie. One of the tutsi asked Paul,

“Why they are so truculence?”

“ Hatred? Insanity? … I don’t know.”

The event is a humanitarianism disaster and Paul needs no reason to save the lives. When the world closed its eyes, he opened his arms. Facing a madness calamity and crazy crowds, the individual’s power is far from enough. However, Paul saved more than 1000 people’s lives. Paul Rusesabagina is a hero, a real man, an African Schinderler.

英語電影觀后感 篇11

《后天》講述了以美國為代表的地球一天內(nèi)氣溫突然劇降，再一次進入冰川時代的故事，影片中的主人公氣候?qū)W家杰克預(yù)言了溫室效應(yīng)正在引發(fā)地球的大災(zāi)難，人類在無止盡的消耗自然資源，會導(dǎo)致北極冰川的融化，讓地球回到冰河世紀(jì)那樣的劫難。但他的警告沒有引起美國當(dāng)局的注意，導(dǎo)致使界各地突然出現(xiàn)冰雹、龍卷風(fēng)、洪水，許多美國人死亡，數(shù)千萬人向南遷移到赤道地區(qū)?？吹搅寺浠亩拥娜藗?，樓一般高的巨浪，被卷走的汽車，這一切的一切，都?xì)w咎于人類肆無忌憚地利用自然資源，破壞大自然，最后受到傷害的還是人類自己。

災(zāi)難片不僅僅只是展示災(zāi)難的一面，它的意義更在于提醒警告我們?nèi)祟惾绻龠@樣濫用自然資源，破壞了生態(tài)平衡，所導(dǎo)致的后果往往不是我們?nèi)祟愃茴A(yù)計的，在經(jīng)歷了災(zāi)難，在種種跡象下表明了我們?nèi)祟愒诖笞匀坏纳锶χ惺嵌嗝吹拿煨?，呼吁我們要保護大自然，珍惜我們擁有的一切！

the day after tomorrow tells the story of the sudden fall in the temperature of the earth as represented by the united states and once again entered the ice age. the hero's climatologist jack predicts that the greenhouse effect is causing a catastrophic event on the earth. if humans keep consuming natural resources， arctic glaciers will melt and return the earth to the ice age.

however, his reminder did not attract the attention of the u.s. authorities.

as a result, a lot of natural disasters were appeared around the world, such as hail, floods and tornadoes，which caused many americans to die.

the significance of disaster film is to remind us that if humans abuse natural resources again and destroy the ecological balance, the consequences are not what we humans can expect. all the signs show how **all we humans are in the biosphere of nature. we call on people to protect nature and cherish everything we have.

英語電影觀后感 篇12

本文為安妮日記電影觀后感英語范文，讓我們通過以下的文章來了解。

范文一

About The Diary of Anne Frank, war and peace are the leading topic we talked about all the time. For most people, we all felt leaden. We can’t imagine how we live to hide at a small attic. And at long day, they must be pretty quiet and even a little noise was forbidden. In addition, windows were just at there, but they couldn’t open the curtains to look outside and breathe fresh air. they must observe the orders every day : no taps to be turned on;therefore, no washing, silence, everything to be finished by eight o’clock and no lavatory. If we were them, we would have gotten crazy. In the book, a detail was impressive. When the families were going to move the new shelter, they did a lot of preparing work. They put on heaps of clothes as if they were going to the North Pole. For example, Anne, she had on two vests, there pairs of pants, a dress, on top of that a skirt, jacket, summer coat, two pairs of stocking, lace-up shoes, woolly cap, scarf ,and still more. She was nearly stifled but no one inquired about that. Everyone was busy at their own business. They had no time to care others. Only from the detail, we could find out the difficult circumvents. Jew at that situation wouldn’t have dreamed of going out with a suitcase full of clothing. If not, the Jew must want to end up his life or be foolish. In order to take the clothing as much as they could, there was no choice. For keeping living, it was only a little challenge. For continuing to stay at the world, nothing can not be overcome. Only a little hope, they tried to catch it. Except the tough living condition, they were all at the fear that they might be found out and they are forced to afford air attack now and then. Anne in her diary wrote, “We had a short circuit last evening, and on top of that the guns kept banging away all the time. I still haven’t got over my fear of everything connected with shooting and planes, and I creep into Daddy’s bed nearly every night for comfort.’ And the Mrs. Van Daan was nearly crying and said in a very timid little voice. Even as a adult, she still couldn’t stop expressing her dear. As a matter of fact, everybody were afraid that their only shelter was spotted. At another air attack, Anne said she clasped her “escape bag” close to me, more because she wanted to have something to hold than with an idea of escaping, because there was nowhere we can go. If ever they come to the extremity of fleeing home here, the street would be just as dangerous as an air raid. In general, facing the danger, we always make some treasures to save ourselves .But for them there was nothing they could do. They can only stayed at the shaking house, praying for God and fortune blessing them. It is a painful process both at physiology and psychology. However, if they had known the tragic ending, they would have done the same thing for surviving.(At the second point, I will put my own views.)

We are all known the Hitler’s violence, and the heavier was nearly abnormal. Anne said,” I’ve only got dismal and depressing news for you today. Our many Jewish friends are being taken away by the dozen. These people are treated by the Gestapo without a shred of decency, being loaded into cattle trucks and sent to Westerbork, the big Jewish camp in Drente. Westerbork sounds terrible: only one washing cubicle for a hundred people and not nearly enough lavatories.” We don’t experience it, so it’s really beyond our imagination. Like this, we always associate Nanjing massacre in China. So much atrocity happened. It was indelible shadow for sufferers.

However, kindness and humanism still exit. In the book, Elli and Miep helped the Anne’s family. They collected their rations for them and sent information. At the troublous surroundings, most people believe “the less trouble the better“。 But some others thought they should try their best to save Jews. Although many Jews were caught, saving a person even one was better. In the book, when Dussel, a new number came to the attic, they were all willing to welcome him. Anne’s father said” If we can save someone, then everything else is of secondary importance.” We must know the famous movie Schindler’s List. At first, Schindler was only a merchant who want to profit from the war. But at the ending, he changed his mind and save Jews. He would rather help others r than making money. It’s original humanity that makes he do it.

范文二

Last weekend, I just finished reading a book called The Diary of a Young Girl. Its author is a German girl, Anne Frank—maybe some of you guys have already heard of her. Anne was born in a Jewish family in 1929 and died in 1945, three months before her sixteenth birthday. It was during the Second World War when Anne was thirteen, to avoid being caught by Nazis, that Anne and her family had to hide themselves in the secret annexe1) of a building, where she wrote down her tearful story.

As you can imagine, everything around her was terribly scary—gunshots, death, hunger, violence and terror. What a horrible life they had! After hiding for two years, they were finally arrested and killed by Hitler2).

Anne's story reminds me, and all of us, that kids are usually the major victims of terror, since they are so young, so weak, and so innocent. Today what is on my mind is not only the terror of war, but all kinds of terrible things children may have to deal with.

Kids are terrified, of course, when wars, terrorist attacks or other kinds of violence happen around them.

But kids are also terrified when adults shout at them for some small mistakes they make.

Kids are terrified when family violence occurs, or parents quarrel with each other over some God knows what3) silly matter.

Kids are terrified when TV shows are bloody and violent.

Kids are terrified to death when their teacher declares seriously that there will be a "very, very" important examination, and that will be their last chance to survive the class.

Kids are terrified even when Dad or Mom doesn't say a word to them for the whole night after receiving their school report.

....

Is this the life children themselves really want? Or is this the life people (I mean adult people) think children deserve?

I remember Bertrand Russell, the great British writer, once said, "Fear is one of the main sources of cruelty. To conquer fear is the beginning of wisdom."

A childhood full of fear and terror is dark and miserable. A child who lives in a world of high pressure, worries, violence, fear and terror, will become passive and inactive, uncreative and unimaginative. Even worse, when they grow up, their mind may be full of doubts, despair or even hate, instead of self-confidence, hope and love.

If we human beings don't have a sound4) and peaceful heart, how can we have a sound and peaceful world? If we children cannot have a happy childhood, how can we have a better world in the future?

So let the world be safe for children. Let children be free from terror.

范文三

Anne is a distinctive girl. She had her own mind. Maybe in the views of others, she is a naughty girl. Especially, she has a quiet sister. Comparing with Margot, she was not favorable. At the beginning, her general appearance, her character, her manners were discussed from A to Z. But with the time going by, she were becoming sensible. One must apply one’s reason to everything, earning to obey, to hold our tongue, to help, to be good, to give in. Life has the great power to change us to adapt it. In addition, Anne started afresh and tried to get to the bottom of it all. As she said, we should examine the whole matter carefully ourselves and find out what is true and what is exaggerated. In our daily life, we often meet arguments with parents. We can stick to the Anne’s principle. If parents are wrong, we shall try first of all to make them alter their ideas and if we don’t succeed we shall stick to our own opinions and judgement. Although she lived in a small room, she still had a brightful heart. She believed that it was spiring within her, she felt that spring was awaking, she felt it in her whole body and soul. And in the book, she wrote and thought much of the time about things which very sensitive. For example, she described a lot about the affair with Peter. It’s normal for a teenager. I think parents should read this book, so they can regard this question correctly.

Anne said, “One certainly could not call us rich now, but all my hopes are pinned on after the war.” Now we are in the peaceful world, hope is full of our life. So there is no reason putting off achieving dreams, we should treasure everyone, everything, every moment that we have.

英語電影觀后感 篇13

本文為簡愛電影觀后感英語范文，讓我們通過以下的文章來了解。

范文一

as jane eyre, in her plainness and solitude, walks to and fro in the thornfield hall, her unas jane eyre, in her plainness and solitude, walks to and fro in the thornfield hall, her unfortunate childhood, conflicting love, and religious forbiddance all cannot stop her seeking a better life and cherishing the human nature. she broke loose the chains that jailed her spirit, and through her struggles she overcame the poverty, customs, social standards, and piety which all blocked her from her dream of happiness, and finally became the master of herself! it could be said that jane's life was earned through retaliation and pursuit, that she fought tooth and nail until the sunlight was won. the sunlight now in her palm, shines brightly unto her!

in fact, one has endless thoughts for the most effulgent sunbeam that shines after the storm. i always think in a difficult situation, if and when the hardships of this life is done, if and when the road of time no longer curves, if and when i try my best to walk to the end, will i be able to see the blinding sunlight? for the most important meaning in life is that, struggling through your trials you realize the value of your life, while taking away all the bitter misfortunes. only then will we see the true radiance of the golden sun...

trekking through storms

running towards the future

luminence of the sun

shines brightliest in the dark

let the difficult journey

feel like a luxury

the sun in my hand

fuels my arduous heart

my will to fight is strong

facing even the most unattainable heights

the sun in my hand

even if only after storms

mustering all of its heat

projects towards me

the warmest radiance

范文二

Oliver Twist, one of the most famous works of Charles Dickens’, is a novel reflecting the tragic fact of the life in Britain in 18th century.

The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.

The hero of this novel was Oliver Twist, an orphan, who was thrown into a world full of poverty and crime. He suffered enormous pain, such as hunger, thirst, beating and abuse. While reading the tragic experiences of the little Oliver, I was shocked by his sufferings. I felt for the poor boy, but at the same time I detested the evil Fagin and the brutal Bill. To my relief, as was written in all the best stories, the goodness eventually conquered devil and Oliver lived a happy life in the end. One of the plots that attracted me most is that after the theft, little Oliver was allowed to recover in the kind care of Mrs. Maylie and Rose and began a new life. He went for walks with them, or Rose read to him, and he worked hard at his lessons. He felt as if he had left behind forever the world of crime and hardship and poverty.

How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness. I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty. Although I don’t think goodness is omnipotent, yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.

For me, the nature of goodness is one of the most necessary character for a person. Goodness is to humans what water is to fish. He who is without goodness is an utterly worthless person. On the contrary, as the famous saying goes, ‘The fragrance always stays in the hand that gives the rose’, he who is with goodness undoubtedly is a happy and useful person. People receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.

To my disappointment, nowadays some people seem to doubt the existence of the goodness in humanity. They look down on people’s honesty and kindness, thinking it foolish of people to be warm-hearted. As a result, they show no sympathy to those who are in trouble and seldom offer to help others. On the other hand, they attach importance to money and benefit. In their opinion, money is the only real object while emotions and morality are nihility. If they cannot get profit from showing their ‘kindness’, they draw back when others are faced with trouble and even hit a man when he is down. They are one of the sorts that I really detest.

Francis Bacon said in his essay, ‘Goodness, of all virtues and dignities of the mind, is the greatest, being the character of the Deity, and without it, man is a busy, mischievous, wretched thing, no better than a kind of vermin.’

That is to say a person without goodness is destined to lose everything. Therefore, I, a kind person, want to tell those ‘vermin-to-be’ to learn from the kind Oliver and regain the nature of goodness.

范文三

This is a story about a special woman who has been exposed to a hostile environment but struggling for her ideal life conreattionously and fearlessly.

It seems to me that many readers ‘s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.

Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane’s education in Lowwood Orphanage,she didn’t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn’t want to betray her own priciples.She is Jane Eyer.

The film has finally got a symbolist end.After finding Rochester’s misfortune brought by his original mad wife,Jane chose to stay with him forever.

Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.

It’s our spirit that makes the life meaningful.

英語電影觀后感 篇14

英國“神劇”《黑鏡子》為我們構(gòu)建了一個看似荒謬無稽的世界，而仔細(xì)想想，在現(xiàn)實中這些并非不可能。科技給我們帶來便利的同時，也埋下了一些隱患。

the manner in which tv series in the uk are aired can be highly frustrating at times. sometimes you only get three episodes of a show and then nothing else for a couple of years.

英劇的播出方式偶爾會令人心情跌到谷底，有時只只播出前，之后便沉寂數(shù)年。

while waiting for more episodes is frustrating, it does allow a lot of interesting ideas to make it onto tv screens, thus always offering audiences something exciting to watch.

雖然追捧一部劇讓人抓狂，但它也為銀幕上一些精彩的創(chuàng)意提供了肥沃的土壤，從而不斷給觀眾帶來驚喜。

one such exciting idea is the mini-series black mirror. aired on channel 4 in the uk, it’s a series of three unrelated one-hour short movies that all offer a twisted ***mentary on technology.

迷你劇《黑鏡子》便是這樣一部令人欣喜的作品。該劇在英國第四頻道播出，由三部一小時獨立的短片組成，全部反映了對技術(shù)近乎扭曲的評論。

for those not familiar with the series, let’s take a look at some of the intriguing yet strange topics of the previous episodes so that you can get an idea.

有人可能還不熟悉該劇，我們來“科普”一下前幾集里妙趣橫生，而又匪夷所思的主題。

in one story, an unknown person kidnaps a british princess and posts a ransom video on yt. the video says that the princess will be set free if the british prime minister performs an indecent act with a pig on live tv.

其中一集中，匿名人士綁架了英國公主，接著在****yt上發(fā)布勒索**。**在中國，綁匪要求英國首相在電視上公開與一頭豬表演，以換取公主的平安歸來。

another story is set in a future where people must pedal bikes in order to generate power for the world and earn money that they can spend only on food, skipping tv ads, other entertainment and to change their online avatar.

另一個故事架構(gòu)于未來世界，在那里人們必須通過騎車發(fā)電來維持世界的運轉(zhuǎn)，同時為自己賺取消費點數(shù)。這些“貨幣”只能用來夠買食物、跳過電視廣告、參加其他一些文娛活動以及更換自己的虛擬形象。

in the third and final episode of season two, which aired on feb 27, a ***puter-generated character from a tv show is jokingly put forward to be***e a member of parliament.

作為本季的收官之作，《黑鏡子》第二季的第三集于2月27日播出。在這一集里，一個電視節(jié)目中的虛構(gòu)人物開玩笑地提議競選國會議員。

one of the joys of watching black mirror is that as an anthology series it changes its setting, characters and theme in each episode, always leaving viewers unsure about what to expect in the next installment.

**《黑鏡子》的樂趣之一就在于：像這樣一部多段式劇集故事集，每集都會有著不同的故事背景、人物以及主題，觀眾永遠(yuǎn)不知道下一集會是什么內(nèi)容。

but the series presents a world in which anything is possible thanks to technology — a hard, cold fact that is less joyous to digest.

而該劇卻為人們呈現(xiàn)出一個“科技無所不能”的世界，這個嚴(yán)酷而不爭的事實一時令人難以接受。

the stories, often through extreme situations, explore the human anxieties that surround technology: when we enjoy science but ignore morality, will we suffer a disaster?

這些故事常常通過極端的情境來**被技術(shù)包圍的人們內(nèi)心的焦慮：當(dāng)我們享受技術(shù)而忽視道德時，我們是在挖掘自己的墳?zāi)箚幔?/p>

charlie brooker, creator of the series, described black mirror as being about “the way we live now — and the way we might be living in 10 minutes’ time if we’re clumsy”.

該劇的編劇查理布魯克稱《黑鏡子》展現(xiàn)的就是“我們現(xiàn)在的生活方式——或者如果我們還是這樣繼續(xù)冥頑不靈的話，這將是我們十分鐘后的生活方式?！?/p>

i’ve always enjoyed tv series and movies that make people think. black mirror is undoubtedly a thought-provoking experiment and a refreshing change from other programs on the schedule.

我一直對這種發(fā)人深省的情節(jié)很感興趣?！逗阽R子》無疑是一次引人深思的嘗試，不同于同檔的其他一些節(jié)目，令觀眾耳目一新！

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